MY PROFILE ON JA'TOVIA GARY IN URSULA MAGAZINE (IN PRINT AND ONLINE)
The idea of speculative time, in which past, present and future remain open to perpetual revision, has become a hallmark of Gary’s work. Known for poetic, experimental films that engage with and trouble notions of the archive, Gary uses a documentarian’s instincts to underscore the fallibility of the historical record, bringing a radical subjectivity to Black femme concerns. Her work is intrinsically reparative, redressing the distortions that underpin America’s racial imaginary.